Art And Visual Perception Set 3
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This set of Art and Visual Perception Multiple Choice Questions & Answers (MCQs) focuses on Art And Visual Perception Set 3
Q1 | The City Dionysia was:
- weeklong springtime festival and play contest
- a small village on the aegean sea
- a yearly ritual sacrifice
- another name of the city of athens
Q2 | The quem queritas trope is a chanted celebration of:
- the resurrection of jesus
- the nativity of jesus
- the creation of the world
- the story of moses
Q3 | The medieval plays that were performed near the feast of Corpus Christi were also called:
- cycle plays
- morality plays
- festival plays
- sacred plays
Q4 | The plays of the Middle Ages were performed on:
- stages built within the church
- the steps of the churches and parish halls
- elaborately decorated wagons or mansions
- a series of permanent stages built around the town square
Q5 | The audience of the Royal era was:
- mostly middle class and bourgeois
- restricted to aristocrats and nobility
- serious theatregoers
- a diverse group of people
Q6 | Which of the following are not a part of the neo-classic rules of playwriting in the Royal era?
- eliminate stage violence
- reasonable frameworks for time and place
- vigorous physical action
- measures for dramatic verse
Q7 | Romanticism in the theatre was characterized by
- compassion, rather than style and wit
- rational decorum
- respect for established order
- careful attention to morality
Q8 | The word theatre is derived from the Greek word theatron, which means:
- gathering ground
- assembly
- forum
- seeing place
Q9 | The "software" of theatre consists of:
- a combination of art, artists and ideas
- an amalgam of concepts
- a way to understand plays
- the inside story of the dramatic action
Q10 | The minimal requirement for a theatre building is:
- curtains, seats, lobby
- stage, backstage
- a place to act and a place to watch
- good acoustics and clean restrooms
Q11 | The Illustrious Theatre of Paris:
- presented pantomimes and pastiches
- was founded by moliere
- featured elaborate sets and costumes
- emphasized the classics and shakespeare
Q12 | The aspects of the theatre as an occupation are:
- work, art, impersonation, performance
- script, rehearsal, performance, reviews
- contracts, publicists, agents
- time, dedication, inspiration
Q13 | The work of producing theatre is involved with:
- the script and rehearsals
- all the financial and legal aspects of the show
- developing rapport with the actors
- making sure the coffee is fresh
Q14 | Directing a play involves:
- telling the actors how to perform their parts
- telling the actors how to perform their parts
- coordinating and unifying the production
- being absolutely true to the script
Q15 | Designing is the process of:
- creating the visual and auditory aspects of the show.
- building the sets and the costumes
- assuring the show has historical authenticity
- getting all the "tech" stuff together
Q16 | Building a production involves:
- a lot of carpentry and painting
- the actors working after rehearsal
- outside technicians and workers
- translating the design into reality
Q17 | Crewing a production is the activity in which:
- people row in a small boat on the river
- technicians effectively run the show every performance
- people who couldn\t get cast do their work in the theatre
- rehearsals are carefully organized
Q18 | The work of the theatre is more than perfecting skills. It is also:
- beauty and passion
- feeling and emotions
- artistic work
- making the stage come alive
Q19 | Our life may be fragmented in anarchism and frustration, but art provides:
- color, shape, and form
- color, shape, and form
- expression, empathy, and emotion
- integration, synthesis and satisfaction
Q20 | The problems of dramatic impersonation were solved in the ancient world through the use of:
- strenuous exercise
- masks
- broad gestures
- powerful speech
Q21 | Performance" can be defined as:
- an action or series of actions done for someone else\s benefit
- a strictly private conversation between two people
- showing off in order to impress someone
- a ritualized creation involved with repetitive
Q22 | The benefits of performance are:
- escape, diversion and distraction
- attention, entertainment, enlightenment and involvement
- raising social conscience and sensitivity
- historical connection to the text
Q23 | The two general modes of performance are:
- live and taped
- ancient and modern
- presentational and representational
- good and bad
Q24 | The act of feeling for and identifying with characters in a play is known as:
- sympathy
- empathy
- understanding
- synchronicity
Q25 | The fundamental forces at work in the live theatre are:
- script, actor, director
- time, place, action
- intensity, focus, believability
- rapport, relationship, immediacy