VISUAL ART 1102 TEST 2 COLOR

Value

Relative degree of light or darkness of a surface or color

Value Scale in Grey

To create shades of grey artists mixed various amounts of black and white, this is called achromatic grey. Grey that is created using black and white.
Artists are also able to create greys from colors and it is called chromatic grey. - As we moved towards

Value contrast

The degree of difference between shades of grey.
- Images with the high contrast is easier to perceived. High contrast is the top and bottom of the value scale.

Value Patterns

describe the variation in light and dark within a work of art and the ways they are arranged within a composition

Chiaroscuro (technique)

value pattern defined by a gradual progression of light to dark.
Reached its peak during the renaissance artists such as Michelangelo, Leonardo, and Raphael Mimics the effect of candle light and theater light.

Tenebrism (technique)

value pattern that is defined by abrupt and dramatic juxtaposition of light to dark.
Mimic the effect of a spotlight. In design and architecture, Tenebrism could bring interesting decorative element.

Color

fundamental to convey our perception and mood.

Visible Spectrum

an array of color that can be perceived with the naked eye.

Color Wheel

a method of organizing color relationship. The guy responsible for this is Herbert Ives.

Primary Color

Red, Blue, Yellow.

Secondary Color

Orange, Green, and Violet

Tertiary Color

Red Orange, Yellow Orange, Red Violet, Blue Violet, Blue Green,Yellow Green.

Warm color

high key value range

Cool color

low key value range

Physical property

wavelengths, light absorption, and reflection is the physical property of color. It could be measured by scientific instrument.

Perceptual property

based on the interactivity of light receptors in our eyes. Three key perceptual property of color are hue, value, and intensity.
The perception of the value of color is dependent on the surrounding color.

Hue

the pure color, as it appear on color wheel
Noticed that black and white is not included in the color wheel. Because black and white is not visible on the color spectrum . They are considered to be neutral color.

Value

Refers to darkness and lightness of a hue. The value of hue can be altered by adding black or white to the hue. When artist add black to the hue we call this shades, the opposite to this is tints (adding white). When artists are using grey to mix hue, the

Intensity and Saturation is the brightness or dullness of a color

Color is more saturated when it is the purest, when it is not added with white or black.

Color Schemes

Planned combination of color

Monochromatic

A rage of tint and shade on a single hue

Analogous

colors adjacent to color wheel and more similar to one another. - Complimentary: color that a opposite of each other on the color wheel

Local color

Color that are associated with the natural appearance of things. The sky is blue, the grass is green, etc. (Example of local color, optical color and arbitrary color)

Optical color

color that we see, however artists often time create the illusion of shadows and light by using tints and hues that might not necessarily appear in the natural appearance of things.

Arbitrary color

Does not accurately reflect the visibility of things (when artist painted the sky red, instead of blue for instance)
- Colors are used as a visual language. In many culture color represents social class. Blue for example is the color of royalty. Red repre

Color

A specific wavelength of light seen through the eye and interpreted in the brain.

Hue

Color in its pure form

Color Value

The lightness or darkness of a color.

Tint

A hue mixed with white

Shade

A hue mixed with black

Saturation

The level of purity of a color, also called intensity. Pure hues have higher saturation than mixed color

Tone

A hue mixed with grey

Color Temperature

The relative warmth or coldness of a color

Tertiary Hue

As a result of mixing primary and secondary hues together

Color Wheel

A visual representation of color relationship

Analogous Hues

Hues that have a common hue and are located next to each other on the color wheel

Complementary Hues

A pair of hues that are opposite of each other on the color wheel.

Simultaneous Contrast

The way colors interact with and react to each other.

Color Interaction

Perceived shifts in color caused by color relationship.

Complimentary effect

Our eyes like to balance out color by seeing complements.

Hue Subtraction

Dominant colors are subtracted from less dominant colors to create more contrast/balance.

Translucent

Allow light and color to pass through when layered over another color

Opaque

Unable to see through layered colors

Color Scheme

Hue combinations used in an image to create color harmony

Simple Color Scheme

Scheme based on neutral ones

Achromatic/ Neutral Scheme

Use only achromatic (black, white, grey)

Monochromatic Scheme

Use variations on a single hue

Analogous Scheme

A color scheme that uses a group of related color

Contrasting Color Scheme

Color scheme based on two colors from different segments of the color wheel

Complementary Scheme

Color scheme based on opposite pair of colors

Split Complimentary Scheme

Color scheme based on three hues

Gestalt Theory

The idea that the whole is greater than individual. In terms of art this is also means the whole composition is greater than individual elements within that composition.

Law of Closure

Our brain fill in missing information to make a connection and find relationships.

Economy

Using minimal amount of visual elements in a composition. The idea that "less is more

Proportion

The relationship of one visual element to every other elements in a composition.

Color Dominance

A color hue, value, or saturation stands out as the most emphasized, noticeable color in a composition.

Bezold Effect

The effect when altering the dominant color in an image changes the perception of all other colors in the composition.

Typography

The process of arranging type into its most appealing state both in terms of legibility and design.

Movable Type

Independent letter forms that can be moved, rearranged, and reused to create text.

Typeface/Font

A specific design/style of type.

Serif

Is a small projection at the end of a letter stroke.

Pattern Layout

The arrangement of motif in a pattern.