Baroque, Middle Ages, Renaissance

Trill

Musical ornament consisting of the rapid alternation of two tones that are a whole or half step apart

Basso Continuo

Baroque accompaniment made up of a bass part usually played by two instruments;a keyboard plus a low melodic instrument. (Bassoon or Bass)

Aria

Song for solo voice with orchestral accompaniment. Usually expressing an emotional state through its outpouring of melody;found in operas, oratorios, and cantatas

Cantata

A composition in several movements for solo voice(s), instruments, and perhaps also chorus. Depending on the text, cantatas are categorized as secular or church cantatas

Diminution

Variation of a fugue subject in which the original time values of the subject are shortened.

Fugue

Polyphonic composition based on one main theme, or subject

Estampie

A medieval dance that is one of the earliest surviving forms of instrumental music

Drone

Long, sustained tone or tones accompanying a melody

Church Modes

Scales containing seven tones with an eighth tone duplicating the first an octave higher, but with patterns of whole and half steps different from major and minor scales

Gregorian Chant

Melodies set to sacred Latin texts, sung without accompaniment

Lute

Plucked string instrument shaped like half a pear;used in Renaissance and baroque music

Madrigal

Composition for several voices set to a short secular poem, combining homophonic and polyphonic textures and often using word paintings

Libretto

Text of an opera

Motet

Polyphonic choral work set to a sacred latin text other than that of the mass

Minuet and Trio

Compositional form in three parts; minuet(A), trio(B), minuet(A)

Organum

Medieval polyphony that consists of Gregorian chant and one or more additional melodic lines

Oratorio

Large-scale composition for chorus, vocal soloists, and orchestra. No opera setting, but based on biblical stories

Overture

short musical composition, purely orchestral, which opens an opera and set the overall dramatic mood

Pedal Point

Single tone, usually in the bass, which is held while the other voices produce a series of changing harmonies against it

Recitative

Vocal line in an opera, oratorio, or cantata that imitates the rhythms and pitch fluctuations of speech. (Leads an aria)

Rondeau

One of the main poetic and musical forms in fourteenth and fifteenth century France

Ritornello

A repeated section of music usually played by the full orchestra, or tutti

Rondo

A form featuring a main theme (A) that returns several times in alteration with other themes. (ABACADAE...)

Secco Recitative

Speech like melody that is sung by a solo voice accompanied by a basso continuo

Sonata

An instrumental composition in several movements for one to eight players

Terraced Dynamics

Abrupt alternation between loud and soft dynamic levels

Tutti

The full orchestra, or a large group of musicians contrasted with a smaller group(All play together)

Word Painting

Musical representation of specific poetic images

First person to create opera?

Claudio Monteverdi- "Orfeo

Chorale

human tune was sung to a german religious text. They had only one note to a syllable and moved in steady rhythm

Subject

The main theme of a fugue is a?

Augmentation

Original time values are lengthened

Mass

A polyphonic choral composition made up of five sections (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei)

Monophonic

The texture of Gregorian Chant

Humanism

Focused on human life and accomplishments

Mass Ordinary

Consists of texts that remain the same from day to day throughout the church year

Movement

Piece that sounds fairly complete and independent but is part of a larger composition

Who wrote the Messiah?

George Frederick Handel

Over 50 movements

The Messiah