Music 12-15

Pope Gregory

traditionally associated with collecting and organizing the chants of the church

triadic harmonies

which doesn't characterize gregorian chant

there is no harmony

why does gregorian chant sound so different from other types of western music

syllabic

a setting of gregorian chant with one note per syllable

neumatic

a setting of gregorian chant with two to four notes per syllable

neumes

early notation that suggested melodic contours using small ascending or descending signs

the mass

service in the roman catholic church that symbolically reenacts the sacrifice of christ

the ordinary

the portion of mass that remains the same in every celebration of the service

the proper

the portion of mass that changes from day to day, depending of the feast celebrated

latin

the primary language of the mass (in the middle ages)

being at the center of commerce and trade

of the following, which does not describe life in the medieval cloister

visions that foretold the future, founding her own convent, writing religious poetry

in addition to composing music, hildegard of bingen is known for:

hildegard of bingen

of the following, which woman was a religious leader and a prominent figure in literature and music

a feast day for the virgin mary

for which liturgical occasion was hildegard's "alleluia, o virga mediatrix" sung

mass proper

in which part of the of the liturgy does the alleluia occur

the virgin mary

which religious figure is praised in the text of hildegard's "alleluia, o virga mediatrix"?

organum

earliest type of polyphony

rhythmic modes

polyphony required the development of:

organum

the notre dame style of polyphony, in which the tenor line was based on a preexisting chant melody and upper voice moved freely (and more rapidly) was called:

the motet

the early polyphonic genre that resulted from the addition of texts to all voices was called:

students in university towns

early songs in latin, such as those in "carmina burana" were created by:

the rebirth of classical learning

which of the following was not a subject reflected in the poems of the troubadours and trouvers

minnesingers

in germany, aristocratic poet-musicians were called:

round

sumer is icumen in" exemplifies what compositional device

the ars nova

music of the fourteenth century developed a style that became known as:

machaut

the outstanding composer-poet of the "ars nova" was:

chanson

the french courtly love song of the middle ages was called the:

motet

of the following, which is not a fixed poetic form

machaut

who composed the chanson "luis qu'en oubli

its subject is unrequited love

which of the following does not characterize "puis qu'en oubli

A-B-a-A-a-b-A-B

what is the form of the rondeau

soft or loud

medieval instruments can be classified as "bas" or "haut" meaning:

recorder

an end blown flute with a breathy tone

the sackbut

the medieval ancestor of the modern trombone is:

chansons

which genre of vocal music was not used in renaissance church services

it has fuller harmonies, performed "a cappella", has smoothly gliding lines

why does renaissance music sound different from medieval music

imitative

what best describes the texture of the ideal renaissance sacred music

a cantus firmus

the fixed melody used as a basis for elaborate polyphonic writing in the renaissance was called:

kyrie, gloria, credo, sanctus, agnus dei

which of the following make up the movements of the ordinary of the mass

the kyrie

the first section of the ordinary mass, a plea for mercy in A-B-A form

the credo

which section of the ordinary of the mass is a confession of faith

cantus firmus

a fragment of gregorian chant or a secular tune used as the foundation of a polyphonic mass

it only had one text in latin

how does the renaissance motet differ from its medieval predecessor

josquin

which early renaissance composer exerted a powerful influence on generations of composers who followed

motet

josquin's "ave maria...virgo serena" is an example of:

in praise of the virgin mary

the text of "ave maria...virgo serena" is:

a gregorian chant in the top vice then freely composed

what is the musical basis of "ave maria...virgo serena

martin luther

of the following, who was a leader in the protestant reformation

the counter-reformation

after the protestant revolt of the early sixteenth century, the roman catholic church responded with a movement to recapture the loyalty of its people. this is called:

to use more instruments to embellish church music

which of the following is not a recommendation of the council of trent

palestrina

which composer responded to the reforms of the council of trent in an exemplary fashion

it would have been sung by an all male choir with boy sopranos or male falsettos

of the following, what describes the intended performance practice for the "pope marcellus mass

six-voice polyphony

of the following, which best describes the texture of the "pope marcellus mass

women were not allowed to perform music professionally

of the following, which doesn't characterize secular music-making in the renaissance

word painting

the expressive device used by renaissance composers to pictorialize words musically

the madrigal

which of the following was the most important secular genre of the sixteenth century

italy

where was the madrigal first developed

the madrigal

the vivid deception of the text through music, known as word painting, is a hallmark of:

they brought a new level of expression to the madrigal

why are the madrigals of arcadelt so special

england

madrigals with simple, pastoral, and often humorous texts were especially favored in:

pastoral and light

which best describes the character of farmer's "fair phyllis

loud

instruments used for outdoor performances, such as the shawm and sackbut are categorized as:

the shawm

which of the following would be an appropriate outdoor instrument

ronde

which of the following was a lively circle or line dance often performed outdoors

antwerp

tielman susato published music in which major european center

irregular phrase lengths

which of the following does not characterize the dances published by susato