Symphony no. 5 in C minor
orchestral timbre, rhythmic-motivic development, dynamics, sonata form, alternating theme and variations, scherzo, cyclic form
Erlkonig -Franz Schubert
concert overture, modified strophic form, ballad, voice and piano
Symphonie fantastique, 4th movement (March to the Scaffold)
Hector Berlioz
programmatic syphony, program music, major vs. minor mode
The Marriage of Figaro Act. 1 Wolfgang Amadeus Mozart
comic opera, accompanied recitative,
String Quartet in C Major, op. 76, no.3 2nd movement Joseph Haydn
string quartet, themes and variations form, periodic phrase structure, musical appropriation
Symphony no.102 in B flat major 3rd and 4th movements Josephy Haydn
symphony, minuet form, rounded binary form, rondo form, finale, concert manners, concert
Symphony no.40 in G minor, K. 550, 1st movement Wolfgang Amadeus Mozart
sonata form, exposition, development, recapitulation, coda, modulation, contrasting themes and harmonic areas
Forward Clara Schumann
a cappella, political music, word-painting, timbre
Mazurka in B flat op.7 no.1 Frederic Chopin
character piece for piano, homophonic texture, drone base, song-like texture, vocal melody
Union: Concert Paraphrase on National Airs Louis Gottschalk
solo piano, virtuosity, nationalistic melodies, homophonic vs. polyphonic
La traviata, Act I, Giuseppe Verdi
opera, integration of recitative and aria, vocal virtuosity, word-music relationships
the Valkyrie act III Wotan's Farewell-Richard Wagner
voice to orchestra relationship, thematic ideas to drama