Oregon State Art 206 Final Exam

Hannah Hoch, Cut with a Kitchen Knife

1919-20 Dadaism

Marcel Duchamp, Fountain

1917 Dadaism

Max Ernst, The Horde

1927 Dadaism

Salvador Dali, The Persistence of Memory

1931 Surrealism

Meret Oppenheim, Object (Luncheon in Fur)

1936 Surrealism

Frank Lloyd Wright, Frederick C. Robie House

Chicago, IL 1906-09

Georgia O'Keeffe, Red Canna

1924

Grant Wood, American Gothic

1930 Regionalism

Dorothea Lange, Migrant Mother, Nipomo, California

1936

Aaron Douglas, Aspects of Negro Life: From Slavery through Reconstruction

1934 Harlem Renaissance

Jackson Pollock, Autumn Rhythm (Number 30)

1950 Abstract Expressionism

Mark Rothko, No. 61, Brown, Blue, Brown on Blue

1953 Abstract Expressionism

Helen Frankenthaler, Mountains and Sea

1952 Post-Painterly Abstraction

Eero Saarinen, Trans World Airlines Terminal, JFK Airport

1956-62 International Style

Alison Knowles, Make a Salad

1962 Fluxus

Robert Rauschenberg, Canyon

1959 Neo-Dada

Roy Lichtenstein, Oh, Jeff ... I love you, too ... But ...

1964 Pop Art

Andy Warhol, Marilyn Diptych

1962 Pop Art

Donald Judd, Untitled

1967 Minimalism

Eva Hesse Untitled (Rope Piece)

1970 Post-Minimalism

Lawrence Weiner, A 36" x 36" Removal to the Lathing or Support Wall of Plaster or Wallboard from a Wall

1968 Conceptual Art

Robert Smithson, Spiral Jetty

1969-70 Land Art

Betye Saar, The Liberation of Aunt Jemima

1972 Feminist Art

Judy Chicago, The Dinner Party

1974-79 Feminist Art

Guerrilla Girls, Do Women Have to be Naked to Get into the Met?

1988 Feminist Art

Frank O. Gehry, Guggenheim Museum, Bilbao, Spain

1993-97 Postmodernism

Daniel Libeskind, The Jewish Museum, Berlin

1989-99 Postmodernism

Jean-Michel Basquiat, Horn Players

1983 Postmodernism

Cindy Sherman, Untitled Film Still #21

1978 Postmodernism

Richard Serra, Titled Arc

1981 Public Art

Maya Lin, Vietnam Veterans Memorial

1981-83

Nam June Paik and Charlotte Moorman, Concerto for TV, Cello, and Videotapes

1971 Video Art

photomontage

a montage constructed from photographic images.

readymade

everyday object selected and designated as art; the name was coined by the French artist Marcel Duchamp.

Automatism

the avoidance of conscious intention in producing works of art, especially by using mechanical techniques or subconscious associations.

the unconscious

the unconscious mind is a reservoir of feelings, thoughts, urges, and memories that outside of our conscious awareness.

Prairie Style

Prairie School style architecture is usually marked by its integration with the surrounding landscape, horizontal lines, flat or hipped roofs with broad eaves, windows assembled in horizontal bands, solid construction, craftsmanship, and restraint in the

New Deal

The New Deal was a series of programs, including, most notably, Social Security, that were enacted in the United States between 1933 and 1938, and a few that came later.

Harlem Renaissance

The Harlem Renaissance was the name given to the cultural, social, and artistic explosion that took place in Harlem between the end of World War I and the middle of the 1930s. During this period Harlem was a cultural center, drawing black writers, artists

Abstract Expressionism

Abstract expressionism is a post-World War II art movement in American painting, developed in New York in the 1940s. It was the first specifically American movement to achieve international influence and put New York City at the center of the western art

art brut

Art brut is a French term that translates as 'raw art', invented by the French artist Jean Dubuffet to describe art such as graffiti or na�ve art which is made outside the academic tradition of fine art.

Medium-specificity

Medium specificity is a principle in aesthetics and art criticism. Clement Greenberg believed that "the unique and proper area of competence" for a form of art corresponds with the ability of an artist to manipulate those features that are "unique to the

Fluxus

Fluxus's spirit of rebellion against the commercial art market, elitism, and the conventions of both art and society had its roots in Dada, Futurism, and Surrealism, while its irreverence and youthful energy were in tune with the burgeoning counterculture

Avant-Garde

The avant-garde (from French, "advance guard" or "vanguard", literally "fore-guard") are people or works that are experimental, radical, or unorthodox, with respect to art, culture, and society.

Event Score (Fluxus)

An event score, such as George Brecht's "Drip Music", is essentially a performance art script that is usually only a few lines long and consists of descriptions of actions to be performed rather than dialogue.

Installation

Installation art is an artistic genre of three-dimensional works that often are site-specific and designed to transform the perception of a space.

Site Specific

Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork.

identity

Identity is the way we perceive and express ourselves. Factors and conditions that an individual is born with�such as ethnic heritage, sex, or one's body�often play a role in defining one's identity. However, many aspects of a person's identity change thr

Appropriation

Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts).

Postmodernism

Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particular

Deconstructivism

A term used to describe a tendency in architecture that began in the 1980s and rejected the basic premises of modern architecture.