Art 1001 LSU w/ Darius Spieth Lecture 2

Style

Refers to the formal qualities of a work of art that can typically be associated with a historical period and/or a specific geographical region, and which are shared across individual creators

Art Deco

Characterized by angular shapes and dark colors

Golden Age of Dutch Painting

17th century

Guilds

Confraternities or craft associations

French Academy of Painting and Sculpture

Influential in defining the modern identity of the artist as an independent intellectual

Artists began producing for the Market Place

18th-19th century

Ngil secret society

Existed within the Fang ethnicity; served quasi-judicial and police functions

Almond-shaped form, incised patterns (sacrifications), geometry of features

Features of Fang Masks

Classicism

Ancient Greece, Rome, tradition

Humanism

World view centers on human, not divine, perspective

French Revolution of 1789

Codified values of the Enlightenment; declaration of rights

Republicanism

Common good

Renaissance

Re-birth of classical antiquity

Avant-garde

Advance Guard; Utopias; ahead of their own time; revolutionaries

Modernity

The civilizational aspect of the
modern experience, e.g. scientific discoveries,
technological advances, railroads, industrialization,
mechanization, urbanization, rationalization, etc.

Modernism

The cultural aspect of the modern
experience expressed mainly in art and literature,
e.g. individuality, alienation, psychological states,
dandyism, introspection, aesthetization of
everyday experience

Abstract art

No reference to natural objects

Trompe-l'oeil

Fool-the-eye

The 1960s

Post-modernism

Jiro Yoshihara, Untitled, 1965, oil on canvas

Constantin Brancusi, The New Born, marble, 1915

1793

Tamara de Lempicka, Self-Portrait, ca. 1925, oil on canvas

Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, oil on canvas, 1939

1634

Sabatino "Simon" Rodia, Nuestro Pueblo (Watts Towers), 1921-1954, Watts, CA

Anonymous, Jamb Statues of Old Testament Prophet, Kings, and Queen, Notre Dame de Chartres, ca. 1145-1170

Henri Fantin-Latour, A Studio in the Batignolles Quarters, or Hommage to Manet, oil/c., 1870

Fang Mask, Ngil Secret Society, Gabon, 19th century, wood painted with kaolin

(c.1655) Classicism

Giacomo Balla, Dynamism of a Dog on a Leash, 1912, oil on canvas

Kasimir Malevich, Suprematist Compositon: White on White, ca. 1918, oil on canvas

Pablo Picasso, Portrait of Daniel-Henry Kahnweiler, 1910, oil on canvas

Example of Realism