Art 1001 LSU w/ Darius Speith Lecture 1

Art

Form of communication that uses a visual vocabulary

Materiality of Art

Artistic Medium (Media)

Aesthetics

The nature of beauty

Iconography

The study of the content of images

Disegno

Design in Italian

Lines

Extension of a dot

Pastel

Chalk-like, friable

Pastel Drawings

Require colored paper as a support

Encaustic

Hot wax; beeswax is the binder

Fresco

Lime in plaster

True Fresco

Fresh, wet plaster

Tempera

Egg yolk binder

Oil on Canvas

First used in 15th century

Recto

Front of oil painting

Verso

Back of oil painting

Glazes

Thin, transparent layers of paint

Impasto

Paste-like application of paint

Diaphanous Paint

Opposite of oil glazes

Painting in the open was made possible by

Tin tubes

Invention of Acrylics

Second half of 20th century

Hues

Colors of the spectrum

Primary Colors

Red, Blue, Yellow

Secondary Colors

Green, violet, orange

Complementary Colors

Orange/blue, red/green, violet/yellow

Red is

A warm color

Cool Colors

Seem to recede

Collages

Cut and glued pieces of paper

Multiples

Are not one-of-a-kind works

Relief Process

Raised part of the plate (not those cut away)

Intaglio

Opposite of Relief, crevices in the plate hold the ink

Sculpture

Direct carving typically involves stone or wood (unique works of art)

Repousse

Beaten metal technique

Ceramics

Fired clay

Mosaic

Small pieces of colored glass

Fabrics

Example of Islamic Art

Leonardo da Vinci, A Man Tricked by Gypsies, ca. 1493, pen and ink drawing

1

Ca. 1493

2

Mummy Portrait of a Man, Faiyum (Egypt), ca. A.D. 160-170, encaustic painting on wood

ca. 1305

Antonella da Messina, The Martyrdom of St. Sebastian, ca. 1475-1477, oil on wood

Watercolor

ca. 1770

Collage

Engraving

1513-1516

The Riace Warriors, 460-450 B.C.E., bronze, silver teeth and eyelashes, copper lips and nipples

Funeral Mask from the Royal Tombs of Mycenae, ca. 1500 B.C.E., beaten gold

c. 515 B.C.

Hot" vs. "Cold" technique

Blown Glass

Mosaic of Empress Theodora and Attendants, ca. 547, Church of San Vitale, Ravenna, mosaic

The Ardabil Carpet, Tabriz, 1540, wool pile on silk warps and wefts

Ettore Sottsass, Beverly from the Memphis Collection, 1981, wooden sideboard covered with plastic laminate

Yves Saint-Laurent, Mondrian Day Dress, 1965, Wool jersey in color blocks of white, red, blue, black, and yellow

1956/1963