Art 1001 Darius Spieth lecture 1

art

form of communication that uses a visual vocabulary

aesthetics

how we process and assess what we perceive; tried to define the nature of beauty

drawings

record ideas, try our proportions and visualize ideas - can be an end in themselves

disegno

drawing (Italian)

tonal variations/shading
hatching/ cross-hatching

two characteristics of lines

pastel drawings

chalk-like, friable medium

pastel medium

requires colored paper

encaustic

powdered pigment, beeswax, heat - hot wax painting

ancint egypt

encaustic used in

(buon) fresco painting binder

lime in plaster

true fresco

on fresh, wet plaster

tempera binder

egg yolk

tempera

color pigments, egg yolk

oil on canvas

powdered pigment, linseed oil, turpentine - 15th century renaissance - Jan van Eyck (flemish)

texture on canvas

texture can influence the character of a painting

recto

front

verso

back

glaze

transparent layers of paint built up on a surface - jewel-like surface quality - smooth - time consuming

impasto

thick application of paint - creates texture

diaphanous paint

opposite of oil glazes

plein air painting

painting in the open, painting in nature

tin tubes

made painting outdoors possible

chalk dust

gouache adds

acrylics

transparent films of color - dry fast - intense color; 20th century

color spectrum

hues; Isaac Newton 1666

primary colors

red, blue, yellow

secondary colors

green, violet, orange

complementary colors

blue/orange
red/green
yellow/ violet

warm colors

red, yellow, orange

cool colors

blue, green, purple

drawings, collages, prints, digital prints

4 types of works on paper

collages

cut and glue pieces of paper

prints

engravings, etchings, lithographs, silkscreen prints

multiples

artworks existing in multiple copies

relief process

printing occurs with raised parts of plate; linoleum cuts, woodcuts

intaglio

cut into crevices in the plate that hold the ink; engravings, etchings

photography

unique images - 19th century

lithography

ink on stone

sculpture

direct carving involving stone or wood

lost-wax casting method

specific to bronze - 3 dimensional figure is modeled in wax

repouss�

beaten metal

ceramics

fired clay

hot v cold technique

cold cut away at the glass

mosaic

colored glass, stone or ceramic tiles embedded in plaster or mortar

architectural drawings

plain and elevation