AP Lit Eriksson unmarked glossary terms

Allegory

A work that functions on a symbolic level

Alliteration

The repetition of initial consonant sounds, such as "Peter Piper picked a peck of pickled peppers

Allusion

A reference contained in a work

Antagonist

The force or character that opposes the main character, the protagonist

Aside

Words spoken by an actor intended to be heard by the audience but not by other characters on stage

Catharsis

according to aristotle, the release of emotion that the audience of a tragedy experiences

character

one who carries out the action of the plot in literature. major, minor, static and dynamic are all types of characters

climax

the turning point of action or character in a literary work, usually the highest moment of tension

comic relief

the inclusion of a humorous character or scene to contrast with tragic elements of a work, thereby intensifying the next tragic event

conflict

a clash between opposing forces in a literary work, such as man vs. man; man vs. nature; man vs. God; man vs. self

connotation

the interpretive level of a word based on its associated images rather than its literal meaning

convention

a traditional aspect of a literary work, such as a soliloquy in a shakespearean play or a tragic hero in a greek tragedy

denotation

the literal or dictionary meaning of a word

deus ex machina

a greek invention, literally "the god from the machine" who appears at the last moment and resolves the loose ends of a play. Today, the term refers to anyone, usually of some stature, who untangles, resolves, or reveals the key to the plot of a work. see

diction

the author's choice of words

epic

a lengthy, elevated poem that celebrates the exploits of a hero. beowulf is a prime example

exposition

background information presented in a literary work

fable

a simple, symbolic story, usually employing animals as characters. aesop and la fontaine are authors who excel at this form

figurative language

the body of devices that enables the writer to operate on levels other than the literal one. it includes metaphor, simile, symbol, motif, hyperbole, and others discussed in chapter 8.

flashback

a device that enables a writer to refer to past thoughts, events, episodes

foreshadowing

hints of future events in a literary work

hyperbole

extreme exaggeration. in

image

a verbal approximation of a sensory impression, concept or emotion

imagery

the total effect of related sensory images in a work of literature

impressionism

writing that reflects a personal image of a character, event or concept. the secret share is a fine example

irony

an unexpected twist or contrast between what happens and what was intended or expected to happen. it involves dialogue and situation and it can be intentional or unplanned. dramatic irony centers around the ignorance of those involved while the audience i

magical realism

a type of literature that explores narratives by and about characters who inhabit and experience their reality differently from what we term the objective world. writers who are frequently placed in this category include gabriel garcia marquez, gunter gra

metaphor

a direct comparison between dissimilar things. "your eyes are stars" is an example

metonymy

a figure of speech in which a representative term is used for a larger idea. (the pen is mightier than the sword")

monologue

a speech given by one character (hamlet's "to be or not to be . . . ")

motif

the repetition or variations of an image or idea in a work which is used to develop theme or characters

narrator

the speaker of a literary work

onomatopoeia

words that sound like the sound they represent (hiss, gurgle, bang)

oxymoron

an image of contradictory terms (bittersweet, pretty ugly, giant economy size)

parable

a story that operates on more than one level and usually teaches a moral lesson

paradox

a set of seemingly contradictory elements which nevertheless reflects an underlying truth

parallel plot

a secondary story line that mimics and reinforces the main plot

parody

a comic imitation of a work that ridicules the original

pathos

the aspects of a literary work that elicit pity from the audience

personification

the assigning of human qualities to inanimate objects or concepts.

plot

a sequence of events in a literary work

point of view

the method of narration in a work

protagonist

the hero or main character of a literary work, the character the audience sympathizes with

resolution

the denouncement of a literary work

rhetorical question

a question that does not expect and explicit answer. it is used to pose an idea to be considered by the speaker or audience.

satire

a mode of writing based on ridicule, which criticizes the foibles and follies of society without necessarily offering a solution

setting

the time and place of a literary work

simile

an indirect comparison that uses the word, "like" or "as" to link the differing items in the comparison

soliloquy

a speech in a play which is used to reveal the character's inner thoughts to the audience

stage directions

the specific instructions a playwright includes concerning sets, characterization, delivery, etc.

structure

the organization and form of a work

style

the unique way an author presents his ideas. diction, syntax, imagery, structure and content all contribute to a particular style

subplot

a secondary plot that explores ideas different from the main storyline

subtext

implied meaning of a word or section of a work

symbol

something in a literary work that stands for something else

synechdoche

a figure of speech that utilizes a part as representative of the whole

theme

the underlying ideas that the author illustrates through characterization, motifs, language, plots, etc.

tone

the author's attitude toward his subject

tragic hero

according to aristotle, a basically good person of noble birth or exalted position who has a fatal flaw or commits an error in judgment which leads to his downfall. the tragic hero must have a moment of realization and live and suffer

understatment

the opposite of exaggeration. it is a technique for developing irony and/or humor where one writers or says less than intended