Luxe, calme et volupte
henri Matisse
1904-1905
The Green Line
Henri Matisse
1905
Le Bonheur de vivre (the Joy of life),
Henri Matisse
1905-1906
- unrealistic perspective
blue nude:memory of Biska
Henri Matisse
1907
-extremely controversial for the time, the top part of her leg
looks like a male body part, slightly buff and manly, definitely
representing an oriental women: with the eye hair style and eyes.
London Bridge
Andre Derain
1906
Portrait of Derain
Maurice De Vlaminck
1906
oil on card board
The old King
Georges Rouault
1916-1936
-rise and fall of man, limit of the kings power and the white
flowers : represent a dark and bitter twist of mortality
The red studio
Henri Matisse
1911
-distorting spacial illusion in 3 steps
1-the color red:anger has the most punch , a color forceful enough
that resist spacial illution
-red brings things forward
-resist spacial illusion
2 illusionist : is dependent on linear perspective
-unconvincing linear perspective no varnishing point nune of the
objects match up
-there is an illutuion of a corner with the painting place there
but there is no actual conner of the room
3 figure ground relationship / reserve lines
-the white lines are no painted on top , put reserve lines that is
the canvious its self
-red is on top and the white it below
-he has reversed the figure ground relationship
sleeping muse
Constantin Brancusi
1909-1910
marble
the kiss
constantin brancusi
1916
limestone
bird in space
constantin brancusi
1925
marble stone and wood
self portrait on her sixth wedding anniversary
paula modersohn-becker
1906
-worpswede: location , back to nature art colony , hippy commune,
revolt of industrialization
street dresden
ernst ludwig kirchner
1908
-isolation , dispite all the people around him he feels alone
?
seated girl
ernst ludwig kirchner
1910
?
the last supper
emil nolde
1909
two men at a table
erich heckel
1912
-use color to conveys an emotion and social issues , mute titled
interior, refers to an oval about Ivan an Athis, knife on table adds
to the tension
bathing women
otto muller
1912
oriental eligents , inspired by agent Egyipson paintings
indian and women
max pechstein
1910
-Indian native American south pacific
sketch for composition ii
vasily kandinsky
1909-1910
-father of abstrat art and based of the book of rservations
composition vii
vasily kandinsky
1913
- could be about the caos of war
the large blue hourses
frans marc
1911
-sclptural rendering in the way they are formed hourse are zoomed in
the and take up most of the canvas
-the horizon of the sky and hourses back mimic each other
-the tree trank ties the for ground and background together
-color reprisint blue= robust and spirital, yellow =female ,gental,
surine , and sentual, and red=matter, brutal, and heavy
-pantheistic: pan=all and theon=god
-nature was god and animals represent a godlyness men have lost,
animal are apart of nature
hammamet with the mosque
paul klee
1914
?
schiele drawing a nude model before a mirror
egon schiele
1910
?
woman in blue
oskar kokoschka
1919